can’t tell at a glance who’s online right now and what they’re interested in
literally cannot tell without scrolling back up who put a post on my dash if it has a single addition attached to it. or like. 2 paragraphs in the op.
i cant click my own icon at the top of the dash to quickly view my own blog
can’t tell who someone used to be if they change their username
squashes the margins between the menu and posts, making the whole dash feel more cramped
ruins the quick visual cue of how long each post is and where it ends when you’re trying to scroll past ones youve seen before
people put a lot of creativity and individuality into icons, and now i never see them
makes people who primarily reblog instead of make their own posts all but completely disappear
list of problems solved by removing icons:
?????
who the fuck was asking for this
ive never in my life seen a website or app that has profile pics forcibly HIDE them, so i guess you did it you made the dash unique again in the worst way
here’s some more feedback: maybe when you run an a/b test you should, idk, actually have a feedback form people can fill out about it somewhere
Can someone explain why anyone would even WANT to take icons away? What the motive even is here?
Wild speculation here, but making it harder to tell at a glance who put what on your dash would sure make it easier to sneakily slip promoed posts or advertising in there without people immediately being able to tell that they’re advertising.
I came across a Persephone myth post, and I wish people could stop spreading the misinformation that 1) kidnapping brides was super common in ancient Greece and 2) all brides never saw their mothers again. 1. Like, no, women were not being abducted every day for marriage, no. There were laws against that, EVEN if you want to think of Ancient Greece as some kind of “ultra patriarchy world” then you should recall that women were men’s propriety (usually the father, owner of the oikos), therefore, a man would not allow his “property” to be stolen just like that. There were ritual reenactments of kidnapping but still, there were many local different traditions, so not because in a certain polis there was a certain ritual for a certain deity it means every single polis through thousands of years celebrated the same rite.
2. And then, I’m really tired of people “defending Demeter while hating Hades” reducing the Hymn to Demeter to only “women’s experience” and that “experience” = “mothers and daughters being separated forever”. First, what made the Hymn to Demeter so important is that it was universal, the topics of death-life and the hope for a happier afterlife are universal to humankind, it was not only about women. That’s why Eleusinian Mysteries were so important during thousands of years. And then, NO, not all women were separated from their families forever or in such a drastic way. Please remember that most of ancient Greek population were farmers! Marriages took place in small communities, no different from other time periods where people would usually marry neighbors, family friends, etc. Most of mothers and daughters could still see each other, visit each other, and religious festivals were always a good chance to meet each other again. Marriages that involved moving to a different or distant place were usually associated with aristocracy for political arrangements, not the average farmer marriage. So, sure, some women were separated from their families and had to travel to a foreign place, but that was not the average experience for an ancient Greek woman. Obviously marriage was a significant change because the woman had to leave her childhood home, indeed. But the “forever apart” is historically inaccurate. Even religious festivals could be a chance for families living afar to meet again. I wish people could be more educated about the life of ancient Greek women. There are a lot of scholars who are doing incredible work regaining women’s roles in ancient Greece. We must stop this cartoon of the ancient Greek women being secluded not doing a thing at all because that it’s not historically correct.
Hozier b like “hey girl what if the ceaseless battle between unconquerable suffering (as a consequence of existence), and the indomitable human spirit, was just. in ur earphones. What if the constant tug of war between the limitlessness of love and inevitability of heartache was literally injected into u via sound. Like. just playing in ur ears for an hour. Take my hand. Let’s take a stroll through hell, baby :) wouldn’t that be gre- why are you crying”
“The entire British museum is an active crime scene” - John Oliver
[image description: two pictures, one above the other. The first image shows a statue originally from the Acropolis in Athens, now in the British Museum. The statue is a column shaped like a woman. It is labelled London. The bottom image is from the Acropolis Museum in Athens, showing the other five matching column/statues, with a space for the missing statue pointedly left open. This picture is shot from above and is labelled Athens.
image in savvysergeant’s reblog: screencap of tags from two people. Feeblekazoo’s tags read: the degree to which the Acropolis museum is designed to shame the British Museum is spectactular. butherlipsarenotmoving’s tags read: the acropolis museum is the most passive aggressive museum i’ve ever been to and i love it
/end id]
For those of you who don’t know museum drama, one of the largest and most famous parts of the British Museum’s collection is the so-called Elgin Marbles, which were looted from the Acropolis by Lord Elgin in the 18th Century. (The Acropolis is the hill in Athens, Greece which has some of the most amazing Greek ruins anywhere, the most famous of which is the Parthenon.) Elgin had (or at least claims to have had) permission from the Ottoman Empire to take stuff home with him, but a) this is one empire asking another empire if they can loot stuff from the other empire’s subjugated people, so, not exactly any moral high ground there Elgin, and b) he took a lot more stuff than the Ottomans said he could have.
Greece has been asking for those statues and sculptures to be returned since they won independence in 1832. That’s right, 1832, 190 years ago. The British Museum has had a number of excuses over the years, one of the biggies of the late 20th Century being “we couldn’t possibly give them back because Athens doesn’t have a nice enough museum to display them” and ignoring Greece’s response of “we will BUILD a museum just for them if you will just give us our damn stuff back!“
Finally, Greece said “fuck you” and built a museum at the bottom of the Acropolis called the Acropolis museum. It is huge, it is gorgeous, the collection of objects is amazing and the educational bits (“this is what it is and why it matters”) are really well done. It’s probably one of the best archaeological museums in the world; it definitely is the best collection of ancient Greek artifacts in the world, both for the size of the collection and the way it’s displayed.
Oh. And it is amazingly passive-aggressive. Every single piece of the Elgin Marbles in the British Museum has an empty spot on display waiting for the piece to be returned to Greece. For example, there are a lot of pieces where Elgin took, say, the nicest (or easiest to remove) one of a set. The column/statue in the OP’s image is one of these. Friezes from the roof of the Parthenon are another example. The Acropolis Museum displays each one of these sets with space for the stolen pieces, along with a picture of what the stolen piece looks like and where it is. It is a giant middle finger at the British Museum, disguised as helpful information.
There’s no chance that the British Museum will return any of this in the next generation. It’s not up to the curators at the British Museum; they don’t get any say in this. The board of governors of the British Museum is made up of old posh English people who genuinely believe that the Empire was awesome and England has a perfect right to everything in the British Museum. They have set policies about what can and can’t be removed from the collection, and according to those policies nothing of any historical or monetary value can be given away or sold. And they actively promote the idea that their predecessors had a perfect right to loot the cultural heritage of the world, and that the museum has a perfect right to keep it forever. The only way to get anything out of the British Museum and back to its rightful place would be to completely replace the entire board of the museum with new people who think completely differently. And that’s not happening any time soon, alas.
By the way, the British argument that Greeks wouldn’t know how to care for the antiquities……. Greece has 206 archaeological museums. It’s not only incredibly demeaning as an argument, it’s also straight out false and misleading.
One thing (and with the massive caveat of I don’t disagree with the above in the slightest): the Board of Trustees isn’t like that. They’re not all white, they’re not all rich, and they’re not all English. By and large they’re academics. I was speaking to them the other week with regards to repatriation when I visited and they’re actually very much all for it (bar one or two exceptions…looking at you George) and are working on things. A group of 5 of them I can confirm actively loathe Elgin and the marbles room. The problem lies with the British Museum Act of 1968 (hereafter referred to as BMA68) which was a law created by the government to prevent anything within the BM, which the government owns but wants very little do to with unless you’re trying to repatriate fyi, being removed in the “national interest”. Repatriation is, annoyingly, illegal in the case of the contents of the BM. So the Board have been trying to change this by putting pressure in various areas to get the laws changed, and the government screws them by enforcing term limits for serving on the board and then trying to stack the board in their favour to prevent further action. It’s a game of politics and the government do not want to give up BMA68 at all.
I know we like to categorise everyone we’re up against in the fight for repatriation as “old, white, rich guys” but it’s not helpful when it is decidedly not the case. We need to be mad at the right people and focusing on efforts to change this ridiculous law. At this time, supporting projects like the International Training Partnership, which is the BM’s way of building a network of curators and training them so organisations like the British Government can’t say “hurr durr they can’t look after their artefacts” because actually they can, we trained them ourselves. The network of curators also allows them to build mounting international pressure. It’s not going to happen overnight, but the pressure is building now, I promise you.
take some time to notice your vision. see how easily you detect motion. focus on something in your peripheral (without moving your eyes to it). see how it works. look at your hands. pick something up with your fingers. appreciate how ridiculously specialized they are in fine motor skills (even if your personal motor skills are lackluster). think about how you have a body built to be an apex predator through use of tools. think about how the brain of your kind has created a digital hivemind uniting the whole world. now look back at the screen. look at the tab where you are in an argument about cartoons on tumblr. close the tab. open a new tab. google “tribute to anomalocaris”. watch the video that comes up. leave a like. subscribe even though the channel has been inactive for 8 years. you will need it in the coming times
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